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The loser Yaroslav returns to his homeland from a long journey, where he tried to know himself and the universe. The return falls on the birthday of his son, for whom he has long ceased to be an authority. Based on new values, Yaroslav is trying to confront obstacles and improve relations with the child. But the acquired concepts do not work well in the megalopolis, and my son needs something more than words...

Kim Jeong-mi wanders the streets due to the death of her loving father and the remarriage of her mother, and is unexpectedly kidnapped by Park Man-soo. Jung-mi is imprisoned in Park Man-soo's apartment. She tries to get out of her apartment by Jeong-mi, but she can't get over Man-su's tactics, and she becomes a partner in the crime. Man-su sacrifices himself to save Jeong-mi, who is in her crisis, after her first crime fails. She finds that Jeong-mi discovers a different side of her Man-su, and she entrusts her body to Man-su without even feeling her love. Seok-gyu, Jeong-mi's ex-lover, encounters opposition from her parents due to the bankruptcy of her Jeong-mi's house. Man-su threatens Soo-kyung and Seok-gyu, who are trying to find her Jeong-mi. At Seok-gyu's plea to save her fiance, Jeong-mi again joins the plot of Man-su's big crime.

During a family dinner, a young woman recounts her experience as a member of a humanitarian organization in Iraq.

Three contestants battle it out to keep their spot at the center of the wheel as six celebrity guests lend their expertise in a variety of hilarious and outrageous categories for the chance to win over $100,000.

A performer finds a trunk full of puppets which he decides to use for his show. But he slowly begins to suspect that the puppets are cursed.

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A pilot for a sketch comedy show. A single stationary camera was mounted inside the center of a large rotating platform. As the platform rotated around the camera, a scene would come into view of the camera. The wheel would stop and a sketch would play out in the scene, which was often framed by some piece of appropriate artwork or prop (for the purposes of forced perspective). At the end of the scene, the wheel would rotate, carrying one scene out of the camera's view and bringing another in, and a new sketch would begin in the new scene. Some scenes were self-contained on the platform, while others were open to the studio beyond the platform (and additional action would take place in the background).

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